BIOS Journal 39 (2015)
The Hamiltons of Edinburgh: Part 2, the middle years. Alan Buchan (Edinburgh)
Small organ design in the nineteenth century. Andrew Hayden (Norwich)
‘A Drop of English Blood’: Karl Straube’s multifaceted relations to England. Christopher Anderson (Dallas, Texas)
An organist's life: William Done of Worcester Cathedral (1815–95) James Berrow (Birmingham)
Zeitgeist manifest as style: eclectic authenticity in the St Paul’s Cathedral Grand Organ Project, 1972–77. Richard Moore (London)
‘Accompanied all along on the Organ by his own inimitable Hand’: Handel and the Direction of his Oratorios. Peter Holman (Colchester)
Two new editions of Bach’s organ music: some questions Peter Williams (Newent)
John Clarke Whitfeld: a life. José Hopkins (Cambridge)
The origin of the term Chair Organ. Paul Binski (Cambridge)
Obituary: Kenneth Hugh Tickell (1956–2014). John Norman (London)
The Hamiltons of Edinburgh: Part 2, the middle years. Alan Buchan (Edinburgh)
Small organ design in the nineteenth century. Andrew Hayden (Norwich)
‘A Drop of English Blood’: Karl Straube’s multifaceted relations to England. Christopher Anderson (Dallas, Texas)
An organist's life: William Done of Worcester Cathedral (1815–95) James Berrow (Birmingham)
Zeitgeist manifest as style: eclectic authenticity in the St Paul’s Cathedral Grand Organ Project, 1972–77. Richard Moore (London)
‘Accompanied all along on the Organ by his own inimitable Hand’: Handel and the Direction of his Oratorios. Peter Holman (Colchester)
Two new editions of Bach’s organ music: some questions Peter Williams (Newent)
John Clarke Whitfeld: a life. José Hopkins (Cambridge)
The origin of the term Chair Organ. Paul Binski (Cambridge)
Obituary: Kenneth Hugh Tickell (1956–2014). John Norman (London)
The Hamiltons of Edinburgh: Part 2, the middle years. Alan Buchan (Edinburgh)
Small organ design in the nineteenth century. Andrew Hayden (Norwich)
‘A Drop of English Blood’: Karl Straube’s multifaceted relations to England. Christopher Anderson (Dallas, Texas)
An organist's life: William Done of Worcester Cathedral (1815–95) James Berrow (Birmingham)
Zeitgeist manifest as style: eclectic authenticity in the St Paul’s Cathedral Grand Organ Project, 1972–77. Richard Moore (London)
‘Accompanied all along on the Organ by his own inimitable Hand’: Handel and the Direction of his Oratorios. Peter Holman (Colchester)
Two new editions of Bach’s organ music: some questions Peter Williams (Newent)
John Clarke Whitfeld: a life. José Hopkins (Cambridge)
The origin of the term Chair Organ. Paul Binski (Cambridge)
Obituary: Kenneth Hugh Tickell (1956–2014). John Norman (London)
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