BIOS Journal 41 (2017)
Editorial – John Scott Whiteley
Fit for a Queen: A Father Smith treasure trove. John Norman (London)
Charles Crole and the organ at St Benet’s Hall, Oxford Gordon D.W.Curtis (Oxford) and Dominic Gwynn (Wells)
John Wheildon: an early Victorian organ-builder in Manchester. David Shuker (Birling)
All Saints, Shrewsbury, ‘A first-rate organ’, Nicholson, Ouseley and Bulkeley-Owen. James Berrow (Worcester)
Triumph and tragedy in 1840s Paris: Charles Spackman Barker (Part II) Philippe d’Anchald (Paris)
Charles Spackman Barker: the early evolution of the pneumatic lever. Gerald Sumner (Preston)
‘Improvising in Slow Motion’: Francis Jackson’s investment in the Sonata for organ. Andrew McCrea (Worcester)
Handel’s oratorio and concerto organs: 1732–1745 Graham Cummings (Huddersfield)
New light on the Toccata in C BWV 564 and Bach’s ‘Mordant’ John Scott Whiteley (York)
Some further thoughts concerning Tudor and Elizabethan ornamentations Christopher Kent (Chippenham)
James Ingall Wedgwood: a correspondent ‘Temporarily Out-of-Tune’ Maximillian Elliott (York)
Report on the National Pipe Organ Register: 2012–2016 Mike Sayers (Cambridge)
Obituary: James Dalton. Richard Vendome (Oxford)
Editorial – John Scott Whiteley
Fit for a Queen: A Father Smith treasure trove. John Norman (London)
Charles Crole and the organ at St Benet’s Hall, Oxford Gordon D.W.Curtis (Oxford) and Dominic Gwynn (Wells)
John Wheildon: an early Victorian organ-builder in Manchester. David Shuker (Birling)
All Saints, Shrewsbury, ‘A first-rate organ’, Nicholson, Ouseley and Bulkeley-Owen. James Berrow (Worcester)
Triumph and tragedy in 1840s Paris: Charles Spackman Barker (Part II) Philippe d’Anchald (Paris)
Charles Spackman Barker: the early evolution of the pneumatic lever. Gerald Sumner (Preston)
‘Improvising in Slow Motion’: Francis Jackson’s investment in the Sonata for organ. Andrew McCrea (Worcester)
Handel’s oratorio and concerto organs: 1732–1745 Graham Cummings (Huddersfield)
New light on the Toccata in C BWV 564 and Bach’s ‘Mordant’ John Scott Whiteley (York)
Some further thoughts concerning Tudor and Elizabethan ornamentations Christopher Kent (Chippenham)
James Ingall Wedgwood: a correspondent ‘Temporarily Out-of-Tune’ Maximillian Elliott (York)
Report on the National Pipe Organ Register: 2012–2016 Mike Sayers (Cambridge)
Obituary: James Dalton. Richard Vendome (Oxford)
Editorial – John Scott Whiteley
Fit for a Queen: A Father Smith treasure trove. John Norman (London)
Charles Crole and the organ at St Benet’s Hall, Oxford Gordon D.W.Curtis (Oxford) and Dominic Gwynn (Wells)
John Wheildon: an early Victorian organ-builder in Manchester. David Shuker (Birling)
All Saints, Shrewsbury, ‘A first-rate organ’, Nicholson, Ouseley and Bulkeley-Owen. James Berrow (Worcester)
Triumph and tragedy in 1840s Paris: Charles Spackman Barker (Part II) Philippe d’Anchald (Paris)
Charles Spackman Barker: the early evolution of the pneumatic lever. Gerald Sumner (Preston)
‘Improvising in Slow Motion’: Francis Jackson’s investment in the Sonata for organ. Andrew McCrea (Worcester)
Handel’s oratorio and concerto organs: 1732–1745 Graham Cummings (Huddersfield)
New light on the Toccata in C BWV 564 and Bach’s ‘Mordant’ John Scott Whiteley (York)
Some further thoughts concerning Tudor and Elizabethan ornamentations Christopher Kent (Chippenham)
James Ingall Wedgwood: a correspondent ‘Temporarily Out-of-Tune’ Maximillian Elliott (York)
Report on the National Pipe Organ Register: 2012–2016 Mike Sayers (Cambridge)
Obituary: James Dalton. Richard Vendome (Oxford)
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