BIOS Journal 43 (2019)
Editorial – David Shuker
The Organ Music of William Herschel. David Baker (Halifax)
James Jepson Binns (1854–1929) and the Challenges of War. Nicola MacRae (Edinburgh)
Le Piano-Organisé en France: A Late-Eighteenth-Century Love Affair with the Claviorgan. Eleanor Smith (Edinburgh)
A Peripatetic and Revolutionary Organised Piano. David Shuker (Birling)
The Early Use of Barrel Organs in the English Parish Church. Maggie Kilbey (St Albans)
Organ-building in the British West Indies – Harrison & Harrison organs in the Crown Colony of Trinidad. Owen Woods (Durham)
Historic Organs as Mainstream Cultural Heritage. Peter Burman (Falkland)
Editorial – David Shuker
The Organ Music of William Herschel. David Baker (Halifax)
James Jepson Binns (1854–1929) and the Challenges of War. Nicola MacRae (Edinburgh)
Le Piano-Organisé en France: A Late-Eighteenth-Century Love Affair with the Claviorgan. Eleanor Smith (Edinburgh)
A Peripatetic and Revolutionary Organised Piano. David Shuker (Birling)
The Early Use of Barrel Organs in the English Parish Church. Maggie Kilbey (St Albans)
Organ-building in the British West Indies – Harrison & Harrison organs in the Crown Colony of Trinidad. Owen Woods (Durham)
Historic Organs as Mainstream Cultural Heritage. Peter Burman (Falkland)
Editorial – David Shuker
The Organ Music of William Herschel. David Baker (Halifax)
James Jepson Binns (1854–1929) and the Challenges of War. Nicola MacRae (Edinburgh)
Le Piano-Organisé en France: A Late-Eighteenth-Century Love Affair with the Claviorgan. Eleanor Smith (Edinburgh)
A Peripatetic and Revolutionary Organised Piano. David Shuker (Birling)
The Early Use of Barrel Organs in the English Parish Church. Maggie Kilbey (St Albans)
Organ-building in the British West Indies – Harrison & Harrison organs in the Crown Colony of Trinidad. Owen Woods (Durham)
Historic Organs as Mainstream Cultural Heritage. Peter Burman (Falkland)
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