BIOS Journal 46 (2022)
Editorial – Nicholas Thistlethwaite
Peterhouse, Cambridge: the documentation of a lost organ, 1635–1667. Nicholas Thistlethwaite (Ely)
Preston of York: a Restoration organ-builder and his family connections. David Griffiths (York)
John Baron and Nelson Hall of Upton Scudamore: the rise of the pipe rack and the universal village organ. Paul Tindall (London)
A ‘strange combination of duties’: Charles Garland Verrinder, not just the Synagogue organist. Danielle Padley (Cambridge)
Thomas Hopkins and his children: the York branch of a ‘pre-eminently’ musical family. Maximillian Elliott (York)
The Sonata for Organ by Edward Cuthbert Bairstow (1873–1946). John Scott Whiteley (Everingham)
The neo-Baroque revival and its influence on the organ-building establishment in Britain. John Norman (London)
‘Something new, something lively and clean and vital’ – reflections on the classical organ revival in Britain, and the work
and influence of Grant, Degens & Bradbeer, Peter Collins, Nigel Church and Kenneth Tickell. John Rowntree (Newbury)
Towards a kaleidoscopic hermeneutic: British organ composition and organ-building culture, 1945–2000. Richard Moore (Guildford)
Editorial – Nicholas Thistlethwaite
Peterhouse, Cambridge: the documentation of a lost organ, 1635–1667. Nicholas Thistlethwaite (Ely)
Preston of York: a Restoration organ-builder and his family connections. David Griffiths (York)
John Baron and Nelson Hall of Upton Scudamore: the rise of the pipe rack and the universal village organ. Paul Tindall (London)
A ‘strange combination of duties’: Charles Garland Verrinder, not just the Synagogue organist. Danielle Padley (Cambridge)
Thomas Hopkins and his children: the York branch of a ‘pre-eminently’ musical family. Maximillian Elliott (York)
The Sonata for Organ by Edward Cuthbert Bairstow (1873–1946). John Scott Whiteley (Everingham)
The neo-Baroque revival and its influence on the organ-building establishment in Britain. John Norman (London)
‘Something new, something lively and clean and vital’ – reflections on the classical organ revival in Britain, and the work
and influence of Grant, Degens & Bradbeer, Peter Collins, Nigel Church and Kenneth Tickell. John Rowntree (Newbury)
Towards a kaleidoscopic hermeneutic: British organ composition and organ-building culture, 1945–2000. Richard Moore (Guildford)
Editorial – Nicholas Thistlethwaite
Peterhouse, Cambridge: the documentation of a lost organ, 1635–1667. Nicholas Thistlethwaite (Ely)
Preston of York: a Restoration organ-builder and his family connections. David Griffiths (York)
John Baron and Nelson Hall of Upton Scudamore: the rise of the pipe rack and the universal village organ. Paul Tindall (London)
A ‘strange combination of duties’: Charles Garland Verrinder, not just the Synagogue organist. Danielle Padley (Cambridge)
Thomas Hopkins and his children: the York branch of a ‘pre-eminently’ musical family. Maximillian Elliott (York)
The Sonata for Organ by Edward Cuthbert Bairstow (1873–1946). John Scott Whiteley (Everingham)
The neo-Baroque revival and its influence on the organ-building establishment in Britain. John Norman (London)
‘Something new, something lively and clean and vital’ – reflections on the classical organ revival in Britain, and the work
and influence of Grant, Degens & Bradbeer, Peter Collins, Nigel Church and Kenneth Tickell. John Rowntree (Newbury)
Towards a kaleidoscopic hermeneutic: British organ composition and organ-building culture, 1945–2000. Richard Moore (Guildford)
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